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Practising Ba Gua Zhang

Xing Yi Quan movements

Xing Yi Quan movements

Xing Yi Quan movements |
Master Feng Jingchun was born in a village of Tian Jin, province
of Hebei, in 1928. He was a lover of wu-shu since he was a little
child. In 1941, being young, he met master Zhao Ge Liang and so
begun his instruction in the "gong li" ( kung-fu strength)
boxing art. Later, in 1948, he studied Xing Yi boxing (Xing Yi Quan)
for three years with master Han Zhi Quan and obtained, early, the
"mind and will training method" of the internal arts.
In 1951 he stablished in Shen Yang and in 1954 was taken as official
disciple by Huo Meng Kui in order to study the tai-chi chuan Wû
style. He reached, this way, a deeper state in his understanding
and comprehension of the internal martial arts . He keeps, since
then, fascinated by taiji boxing. He used to study and practise
during the mornings and during the afternoons and evenings too without
ever quiting.
Later, he studied the "Lao Jia Liu Lu" (an ancient form
of the six rutins) of the Yang style, as well as Chen style, and
he´s able to perform the forms of the three styles(Wû,
Yang and Chen) to both directions, indistinctly. Feng thinks that
the postures of Yang style are wide and gracefull, and that they
are very good for the practise and for the health. About Chen, he
thinks that the alternance between softness and hardness within
this style is very helpfull in the practise of " winding silk
up" and "fa jinr" (emitting energy, strength, power),
but there are interruptions and a very obvious "accumulation".
Wû style, on the other hand, lacks of any cut or interruption
or of those "accumulation" manifestations; opening and
closing do mutually imply, yin and yang turn, man and heaven get
together, it´s like entering a state of corporal dissolution
wich is very appropriate for nei-gong training and makes it easier
to attain quite high tai-chi chuan levels of practise.
Feng Jingchun is a lover of taiji quan, wu-shu, saber, the sword,
and the stick, but he is a big fan of "suai jiao" (chinese
free fighting) too. In 1956 he took Pu En Fu and Xing Bao Heng as
offitial masters in order to learn the art of fighting. He practised
Xing Yi Quan y Tai Ji Quan every morning and used to go to the ring
and practise free fighting at nights. He realized that both internal
arts and free fighting have a lot in commun in terms of pure mechanics.
Both styles have an external form, an internal intention, they both
use "attract and vacuum", and borrow strength for the
attack. In tai-chi chuan is said "zhan nian lian sui"
(sticking to and following the opponent) and in free fighting "ai
bang ji kao" (get together and press together).
Due to this very long training, he´s achieved the fussion
of both arts. When he practises pushing hands or "san shou"
(combat) he tricks his opponent attracting him in false, and uses
hands and arms, as well as legs and feet, making the defense very
difficult. Even at his age, more than 70, no young opponent has
defeated him ever.
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